“Tharaud commands an impressive range of timbres and articulations with a crisp technique which enables him to express melodic tenderness as tellingly as hard-edged brilliance and clarity.” --Gramophone Magazine, April 2011
“The biggest surprise on this wonderfully exuberant and exhilarating disc comes with the very first notes: the piano tone is rich and full...There's never a dull moment, and Tharaud's range of touch and colour, and his sheer enthusiasm, shine through every jewel-like piece.” --The Guardian, 3rd February 2011 *****
“The biggest surprise on this wonderfully exuberant and exhilarating disc comes with the very first notes: the piano tone is rich and full...There's never a dull moment, and Tharaud's range of touch and colour, and his sheer enthusiasm, shine through every jewel-like piece.” --The Guardian, 3rd February 2011 *****
“The fact that Scarlatti used the same two-part structural template for all his sonatas is camouflaged by his vast imaginative range, a fertile mind that Tharaud taps and illuminates absorbingly in this recital...The diversity is captivating and Tharaud is a consummate master of it.” --The Telegraph, 11th February 2011 *****“The range is extraordinary, from the almost casual, plaintive charm of the K132, with its elegant trills and thoughtful progressions, to the dashing Iberian brilliance of the K420, and the more virtuosic manner of the K72 - three wildly differing explorations of the key of C major, handled with a deft, easy grace and an appropriate dash of wit.” --The Independent, 18th February 2011 ****
“Tharaud’s choices make for an exhilarating rollercoaster ride between dizzying feats of heady bravura and more gentle moments where introspection and quasi-operatic cantabile playing are required...The playing and musicianship of this young Frenchman are dazzling throughout.” --Sunday Times, 27th February 2011 *****
“The tipsy downward flourishes which interrupt the singing line of K132 suggest Tharaud improvising dreamily in a tapas bar. Best of all is the tiny two-minute aria which forms K32, a gorgeous moment of calm which hints at what Bach’s keyboard music might have sounded like had he lived in warmer climes. The close-up recording adds to the fun.” --Graham Rickson, The Arts Desk, 7th May 2011
“Tharaud’s choices make for an exhilarating rollercoaster ride between dizzying feats of heady bravura and more gentle moments where introspection and quasi-operatic cantabile playing are required...The playing and musicianship of this young Frenchman are dazzling throughout.” --Sunday Times, 27th February 2011 *****
“The tipsy downward flourishes which interrupt the singing line of K132 suggest Tharaud improvising dreamily in a tapas bar. Best of all is the tiny two-minute aria which forms K32, a gorgeous moment of calm which hints at what Bach’s keyboard music might have sounded like had he lived in warmer climes. The close-up recording adds to the fun.” --Graham Rickson, The Arts Desk, 7th May 2011
No comments:
Post a Comment