“the conjunction of these three contrasting string pieces written across the 20th century proves useful, and stimulates thought. Furthermore, Hughes Deschaux's recording is terrific. It's vivid and warm with a generous sense of space...and you can't fault Pierre Morlet's cello, always singing and sorrowful.” --BBC Music Magazine, March 2012 ****
“This is an eccentric collection of strange bedfellows...the Diotima's performance is a strong one.” --Gramophone Magazine, March 2012
“This is an eccentric collection of strange bedfellows...the Diotima's performance is a strong one.” --Gramophone Magazine, March 2012
“Eloquent and tonal, it exudes a suavely Gallic influence. The Quatuor Diotima avoid supersweet sentimentalism and concentrate instead on clarity.” --Sunday Times, 13th November 2011
“Deeply peculiar in a highly satisfying way, this music provokes shocks and giggles in equal measure.” --The Arts Desk, 10th March 2012
“the shrill, astringent tone of the violins...works to their advantage in realising George Crumb's "Black Angels for Electric Quartet", a dramatic, sometimes antagonistically cacophonous assemblage of 13 brief "images from the dark land", in places seemingly influenced by Bernard Herrmann's piercing score for Psycho.” --The Independent, 4th November 2011 **
MP3 320 · 155 MB
“Deeply peculiar in a highly satisfying way, this music provokes shocks and giggles in equal measure.” --The Arts Desk, 10th March 2012
“the shrill, astringent tone of the violins...works to their advantage in realising George Crumb's "Black Angels for Electric Quartet", a dramatic, sometimes antagonistically cacophonous assemblage of 13 brief "images from the dark land", in places seemingly influenced by Bernard Herrmann's piercing score for Psycho.” --The Independent, 4th November 2011 **
MP3 320 · 155 MB
No comments:
Post a Comment